This work captures the moment when Venice begins to fade—not in a physical sense, but as a shift in perception. A gondolier moves through a golden field where form and time gradually dissolve. Architecture flickers, textures soften, and light begins to override structure.

The scene is constructed through a kind of double exposure. One image shows a narrow canal; the other, the Grand Canal. Merged together, they form a composite memory—not tied to a specific place, but to the lingering impression of Venice itself.

Venice appears here as an afterimage preserved in memory. What becomes imprinted is not only its current appearance, but the deep layers of history and culture it carries.