This work overlays an interior view of an Indian palace with a projected image of the Taj Mahal. The Taj is no longer treated as architecture, but as an image that exists in people’s minds—a symbol filtered through cultural memory, tourism, and imagination.

By embedding the Taj into the palace space, the work questions what is remembered, what is seen, and what is projected. The city becomes a perceptual composite—not a fixed place, but a constructed image shaped by collective desire and idealization.