Stavanger reconstructs a street in Norway through the lens of perceptual memory. Architectural elements—shop signs, balconies, cobblestones—dissolve into layered fields of mist and deep blue. A faint shooting star crosses the scene, introducing a quiet motion within the stillness. The image resists fixed perspective, functioning instead as a suspended moment between presence and absence. Light does not illuminate from a clear source, but emerges gradually through atmosphere and tone. This is not a depiction of place, but a recollection—half real, half imagined—where the city becomes a trace held within the night.