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Record of Light Series – Click Image for Details
Record of Light does not define light as an origin or a destination, but records the conditions under which it becomes perceptible. Rather than explaining what light is, the series traces how light appears, interferes, dissolves, and leaves residual traces within perceptual space.
Each work is constructed within the RGB spectrum—the three elemental channels of digital light. Red, green, and blue are treated not as symbols, but as measurable wavelengths that establish the limits of visibility. Through their interaction, transient luminous states emerge, destabilize, and fade before reaching fixed coherence.
Photographic fragments are layered, blurred, and partially erased until recognizable form collapses. What remains are fields of light in transition—neither object nor abstraction, but records of passage and threshold. In this series, light functions as both medium and trace: a visible residue of interaction, captured at the moment perception briefly holds before dispersing.
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Chapter Two: Transition of Light
This chapter addresses light as a phenomenon that moves between structures rather than remaining within a single state or frame. The works focus on passages, overlaps, and branching conditions where light crosses dimensional boundaries, shifts phase, or appears simultaneously in multiple configurations.
Here, light is neither fixed nor directional; it operates as a transitional force that destabilizes structure itself. Membranes, thresholds, and layered fields suggest moments in which separation becomes permeable and multiple outcomes coexist. The images do not describe destinations, but record the act of transfer—how light reorganizes when it is no longer confined to one system.
This chapter presents light as an agent of transition: a visible trace of movement between worlds, states, or possibilities that cannot fully settle into a single form.
Mixedvers
This work depicts multiple universes overlapping and merging into a single state. Universes that once separated now coexist, forming layered realities. Through fusion and superposition, these intertwined worlds emit a unified aura, suggesting a cosmos where parallel realities overlap rather than remain isolated.
Double Dimentional Membrane
Dimensional membranes appearing within the three-dimensional world are not singular. Multiple membranes can emerge simultaneously, each functioning as a threshold to a different dimension. The universe is not one unified space, nor only a dark expanse. Some realms are filled with light, connected through these membranes.
Expansion
The size of a dimensional membrane is never fixed. As higher dimensions draw in greater influence from the three-dimensional world, the membrane expands organically, allowing increased permeability. Like a breathing structure, it adapts through expansion and contraction. This work depicts a membrane in the process of expansion, where purity remains the decisive criterion.
Crystal Hi
The higher-dimensional world seen through a dimensional membrane possesses a crystal-like radiance born of high purity. A luminous portal may appear in the night sky, inviting ascent. Yet passage from the three-dimensional world requires equivalent purification. The membrane acts as a filter, allowing only what is prepared to pass through.
Filled with Harmony
This work looks into higher dimensions through a dimensional membrane. Those realms are filled with love and harmony, embodying a luminous world unimaginable in three-dimensional reality. Traces of this harmony appear even in our world, in music and art, inviting the viewer to sense that higher order.
Capture
This work depicts the moment of capturing light. Light moves freely through space and can only be held gently, as if cupped by two palms. If grasped too tightly, it slips away. Once captured, light is carried elsewhere to illuminate darkness.
Alcove
Alcove depicts a refuge within a vast sea of flowing light. While light elsewhere moves as waves, here it rests, suspended like particles. This still harbor visualizes light’s dual nature, echoing the double-slit experiment, where motion becomes flow, and pause reveals light as discrete presence.
Dimentional Transision
The higher-dimensional world glimpsed through a dimensional membrane does not represent a single dimension. Multiple higher dimensions can appear simultaneously. This work depicts the red and white dimensions existing side by side, with movement between them, revealing a realm beyond three-dimensional comprehension where the purified soul ascends.
Vaporing LIght
This work depicts higher-dimensional light seen through a dimensional membrane. Here, light evaporates like vapor, transforms, and returns. While light travels at its maximum speed, this work suggests a quantum-like transition—light changing form and moving instantaneously, resembling teleportation across vast cosmic distances.
Multiverse
Scientists explore the idea that the universe is not singular. Since the birth of the cosmos, it began with four fundamental universes and has branched into countless forms. The lights in this work represent individual universes, standing side by side, each expressing a distinct state of existence and returning toward a single origin.
Wormhole
In contemporary science, wormholes are theoretical structures that may exist but have not been observed. They consist of two entrances connected by a throat. This work depicts light being drawn into such a tunnel, suggesting that conscious light can move freely between two universes through the wormhole.
Multiple Worldline
One interpretation of quantum mechanics is the many-worlds interpretation, where multiple states exist simultaneously until consciousness selects one. This work depicts such multiple universes, where different futures coexist, and realities branch according to choice, extending the idea of many worldlines to the structure of the cosmos itself.