A luminous pyramid emerges at the center of a spectral field—its form both concealed and revealed by the very light it emits. Around it, the cosmos unfurls in bands of color that do not belong to matter, but to perception. The structure is not lit from outside; it is light—fractured, dispersed, and embodied.

Here, colour is not a surface effect but a consequence of existence. What appears as blue, violet, or gold arises only because light is filtered, bent, or received. The pyramid becomes a vessel for this truth: that colour is not applied to the world—it is the visible trace of light passing through it.

This work offers no illusion of solidity. Instead, it presents an encounter with the unseen structure of illumination itself—where the visible becomes a gateway to the spiritual.