This work explores the experience of seeing through a structured screen — not as obstruction, but as mediation. The grid of luminous points suggests a digitized field of perception, while the sweeping currents layered across it introduce fluid motion and distortion. Together, they create a dynamic tension between fixed structure and shifting flow.

Built through a proprietary Digital Blend method, the image is composed entirely without photographic reference. Light functions here as both subject and system — emerging from within the composition rather than applied to its surface.

Beyond Matrix asks how perception is shaped when vision is filtered through a patterned interface, and how meaning may arise not from what is seen directly, but from what is shaped in the act of looking.