This work is not a depiction of Napoli, but a fading memory of it. Layers of architectural fragments—once dense with form—have been softened, bleached, and dissolved into a luminous field. The city becomes an afterimage, recalled through atmosphere rather than structure.

By stripping away solidity, I sought to reveal Napoli as a spiritual imprint—what lingers when place dissolves into presence. Buildings flicker like thoughts; streets vanish into haze. In the end, what remains is light: not as illumination, but as the trace of existence itself.

This piece is part of an emerging series, Cities of Disappearance, where urban memory is rendered not through documentation, but through dissolution.