Art of My Own Invention

The Unreal from the Real

The Pleasure of Living with Art

My works are filled with unexpected spatial relationships, hidden details, and visual contradictions that are not always apparent at first glance. One of the greatest pleasures of owning art is discovering something new each time you look at it. I invite you to enjoy an ongoing intellectual dialogue with the artwork—one that deepens through daily encounters and discoveries.

Discovering the Extraordinary in the Familiar

I am fascinated by the possibility of creating worlds that have never existed, using only elements of the reality around us. In my City series, familiar urban landscapes are transformed into parallel worlds where conventional spatial relationships no longer apply. In Mineral, I explore the extraordinary interplay of light, matter, color, and texture.

An Artistic Method of My Own Invention

To realize these visions, I developed my own method of digital photographic composition. Using dozens of photographic layers, I create complex interactions through blending modes, transparency, and hand-drawn interventions. Light passes through, is blocked, or is transformed by the interaction of layers, while additive RGB color creates luminosity absent from the original photographs.

This is not an established technique I adopted, but a method I invented through my own artistic exploration. I have not encountered another artist working in precisely this way. My more than thirty years of architectural experience have also shaped my understanding of space, structure, and light.

A Unique Creation, One of One

The originality of my artistic method is complemented by the exclusivity of each finished work. My large-format A0 artworks are offered as unique, one-of-one editions.

Each combines an independently developed artistic vision with the distinction of owning a work that exists as a single edition—an opportunity to experience and rediscover a world unlike any other.

Interation among layers.

Real photographs will be assembled to create the final image.

Layered images allow light to penetrate, block it, or interact with it in particular ways to create the final image.

Miraculous Uniqueness

I normally use dozens of photographic layers. Even with just 20 layers, each offering 27 blending options—different ways of combining light and color with the layers beneath it—the theoretical possibilities reach approximately 4.2 × 10²⁸ combinations, roughly 40,000 to 4 million times the estimated 10²² to 10²⁴ stars in the entire universe.

Of these 4.2 × 10²⁸ possibilities, all but one are discarded. Only one survives. Your encounter with this artwork is rarer than finding one particular star among all the stars in the entire universe.