At the center of the composition, a gathered constellation of stars is depicted and surrounded by a pale blue-white cloud of light. Subtle violet and light-blue currents enter this field, describing layers in which the stars overlap and shift, as though their presence expands and contracts in measured rhythm. The aquamarine tone originates from a personal memory: as a child, when I imagined traveling somewhere beyond reach, this was the color that always appeared in my mind as the sky. By linking that remembered hue with the visual structure of the stars, the work aligns private recollection with celestial distance. Through this connection, the Pleiades are rendered not only as a remote astronomical formation but also as a light that carries familiarity, memory, and spatial depth, allowing the viewer to perceive both scale and emotional continuity within a single field, without resorting to symbolic decoration or sentimental emphasis in interpretation.