This piece explores the perception of light through a rigid digital grid — a filter not of nature, but of computation. The underlying field, dispersed and fluid, becomes interrupted by regularized pixel structures. This interference pattern speaks to the way digital systems quantify vision: not through continuous tones, but through discrete bits.

Unlike the softness of mist or the chaos of sparkling dots, this grid imposes logic and containment. The viewer must reconcile the organic and the algorithmic, the cosmic and the coded. The visual tension lies not in what is seen, but in how it is formatted — hinting at a mediated world where data precedes image.