Lisbon transforms the city into a perceptual landscape where architecture and light converge into memory. The work originates from photographic fragments of the city, reassembled through digital layering into a luminous field. Outlines of streets, façades, and domes remain embedded, yet they are displaced, veiled, and dissolved until they function less as depiction and more as resonance.

The result is an image that resists the authority of documentary clarity. Instead, it offers a sensory equivalent to remembering: diffuse, unstable, and charged with atmosphere. Lisbon becomes not an external view, but an inner field where light and space are filtered through perception. The work suggests that the essence of a city lies less in its physical monuments than in the way its presence imprints itself as a luminous residue within us.