Stockholm presents the old streets of the city not as a documentary view but as a layered impression. The façades of cafés, signs, and narrow passageways remain visible, yet they dissolve into warm tones of yellow, ochre, and faint green, as though absorbed by light itself. The textures suggest worn surfaces and accumulated histories, blurring distinctions between stone, paint, and atmosphere. By overlapping visual fragments, the image conveys Stockholm as an experience of continuity, where the present is always interwoven with the traces of the past. The quiet street scene becomes a luminous field that resists linear perspective, inviting the viewer to inhabit memory rather than location. Through this layered treatment, the work transforms the city into a perceptual state—Stockholm as remembered, dreamed, and dissolved into the presence of light.