This time, I present the Light Portrait of yuki-san, who is also a creator on note.
The first thing I saw in yuki-san's aura was a strikingly white aura. I had received an inspiration beforehand that there was something connected to water, and this confirmed it—along with the image of pure, clear water, I saw colors ranging from deep blue to green, like peering into the depths of a waterfall basin.
I was told that in childhood she would run freely through the hills and fields, yet the way she spoke—in a quiet tone, savoring each word one by one—was as if her words were welling up from those depths.
What flows along the left and right of the image is the flow of water. At the center is the white color of the soul; it may appear human-shaped, but this depicts the state of a moment when the form happened to take that shape. Pink was also visible in the third layer of the aura, so a trace of that color has been added.
The flowing water and the spray are rendered in resonance with the diffusion of light.
After Yasuo-san told me it was connected to water, I looked back over my past following the interview.
Then I realized: though I have no memory of it, I was swept away by a river twice as a small child; I loved playing in water and built a simple stream in the garden to watch the water flow; in elementary school I loved the pool and once swam 25 meters underwater; even in the bath I liked to submerge myself and feel wrapped in the warm water; and I love the time spent simply watching a river flow and feeling the sound of the water. Even watching footage of waterfall basins soothes my heart. I love nature, and I realized, thinking deeply about it, that the reason I love rain-wet leaves—sparkling and so full of life—is that there, too, water is present.
And when Yasuo-san interviewed me and I saw the finished work, I felt a sensation of being drawn into the painting, and I felt: this is the place I return to. My heart raced at its beauty, and tears quietly slipped down. Then my heart grew calm, and a feeling welled up in me—a desire to release my kindness more freely. I came to feel that the path I walk from here should be scattered with unconditional love—healing people's hearts, staying close beside them, moving forward little by little, however small my power, so that everyone can live in peace. And that the place I will finally return to is here...
Also, when I step back and look at it, it appears to be a fantastical bird with wings spread wide, and I took the liberty of feeling it was telling me: you are free to spread your wings and fly. It looks like a painting of profound meaning to me, and I feel a mysterious power from it, as if something is gently, softly flowing into my body.
This time, I present the Light Portrait of yuki-san, who is also a creator on note.
The first thing I saw in yuki-san's aura was a strikingly white aura. I had received an inspiration beforehand that there was something connected to water, and this confirmed it—along with the image of pure, clear water, I saw colors ranging from deep blue to green, like peering into the depths of a waterfall basin.
I was told that in childhood she would run freely through the hills and fields, yet the way she spoke—in a quiet tone, savoring each word one by one—was as if her words were welling up from those depths.
What flows along the left and right of the image is the flow of water. At the center is the white color of the soul; it may appear human-shaped, but this depicts the state of a moment when the form happened to take that shape. Pink was also visible in the third layer of the aura, so a trace of that color has been added.
The flowing water and the spray are rendered in resonance with the diffusion of light.
After Yasuo-san told me it was connected to water, I looked back over my past following the interview.
Then I realized: though I have no memory of it, I was swept away by a river twice as a small child; I loved playing in water and built a simple stream in the garden to watch the water flow; in elementary school I loved the pool and once swam 25 meters underwater; even in the bath I liked to submerge myself and feel wrapped in the warm water; and I love the time spent simply watching a river flow and feeling the sound of the water. Even watching footage of waterfall basins soothes my heart. I love nature, and I realized, thinking deeply about it, that the reason I love rain-wet leaves—sparkling and so full of life—is that there, too, water is present.
And when Yasuo-san interviewed me and I saw the finished work, I felt a sensation of being drawn into the painting, and I felt: this is the place I return to. My heart raced at its beauty, and tears quietly slipped down. Then my heart grew calm, and a feeling welled up in me—a desire to release my kindness more freely. I came to feel that the path I walk from here should be scattered with unconditional love—healing people's hearts, staying close beside them, moving forward little by little, however small my power, so that everyone can live in peace. And that the place I will finally return to is here...
Also, when I step back and look at it, it appears to be a fantastical bird with wings spread wide, and I took the liberty of feeling it was telling me: you are free to spread your wings and fly. It looks like a painting of profound meaning to me, and I feel a mysterious power from it, as if something is gently, softly flowing into my body.
This photo collage/video is an optional addition to the standard portrait service.
